Audiotip a day.

Live mixing is a bit different than studio mixing. It’s all happening in the now and there’s no undo or a chance to do another take. It’s more stressfull but at the same time can be very rewarding if everything works out.

Some things to keep in mind when working as a live sound technician. Things will inevitably go wrong at some point but some of these tips might scale chance in your favor.

• Be wary of feedback

• I guess this goes without saying but feedback is not a particularly good friend of the sound-tech, nor the rest of the crowd. Be sure your system and microphones can handle the high SPL level you’re going to give them and don’t turn all the gain knobs to the point of feedback. It will leave no headroom if you need to turn things up later.

• Getting the drum sound right live.

• Live drums coming over the P.A. can sound amazing and in my opinion is one of the most important elements of the live sound. Getting the drum sound right can often determine the quality of the rest of the show. Make sure they are tight and punchy and you’ll win the crowd and artists over.

• Over compressing vocals.

• Some like to over-compress vocals in a live setting. They make sure the singer can be heard at all times and in itself is a valid technique. However, it can de-emphasize the feel and natural quality of the vocal. It all depends on the genre, so decide on this one yourselves.

• Monitor positioning.

• Good monitor positioning is critical to avoid feedback and making sure the band can hear themselves. If they are too close to the artist the sound waves just travel around their feet, never reaching their ears. And if they are too far away, the sound of the monitors will get buried and masked by the stage sound.

• Too loud amplifiers

• In a small to medium concert venue, having the guitarists turn their amplifiers up too loud will compromise an otherwise great live sound. Good monitor positioning and semi-quiet amplifiers will help fix any problems artist have with their stage sound.
• But if guitarist insist on cranking their amplifiers up to eleven just because they only sound good that way, try turning the away from the audience. That way they don’t bleed as much into the P.A.

• Don’t think you need to fiddle with the knobs and ride the faders all the time.

• If you had a great sound-check and everything sounds good together, don’t think that you should be moving faders and changing EQ setting every second. When the mix sticks together just be on the lookout for odd things that need fixing here and there during the songs. Also, when you have a band sounding good you can focus on the creative part of the show, putting effects, delays and reverbs every once in a while. Especially if you know the band and their material you can be a major influence in how they sound live.

• Some bands mix themselves.

• Follwing up on the last statement, some band just mix themselves. Once you have the sound up and running, some bands are just so good and tight live that you don’t have to worry about them. And that’s great, because that makes you look good as well.

I hope you can use some of these tips when you later go out and work at your next gig. If you have any good mixing tips or advice on handling a live sound situation, please share it in the comments.